/tagged/yeshiva/page/7
HELP FIX YUM’S YELP REVIEWS
Friends, for whatever reason, the folks at Yelp are suppressing the positive review of Yeshiva University Museum, and leaving up the one negative—and really uninformed—review of our small museum.  Can you help us right the wrong of this algorithm?  If you have something to share about YUM, please lend us a few minutes and leave it on YUM’s Yelp page. Positive or negative, we’d just like something constructive and fair.  And we will make every effort to get back to you with our own questions and solutions to the problems you identify.
You can find YUM’s Yelp Page here: http://www.yelp.com/biz/yeshiva-university-museum-new-york
Thanks a bunch folks!

HELP FIX YUM’S YELP REVIEWS

Friends, for whatever reason, the folks at Yelp are suppressing the positive review of Yeshiva University Museum, and leaving up the one negative—and really uninformed—review of our small museum.  Can you help us right the wrong of this algorithm?  If you have something to share about YUM, please lend us a few minutes and leave it on YUM’s Yelp page. Positive or negative, we’d just like something constructive and fair.  And we will make every effort to get back to you with our own questions and solutions to the problems you identify.

You can find YUM’s Yelp Page here: http://www.yelp.com/biz/yeshiva-university-museum-new-york

Thanks a bunch folks!

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 3
Continuing with our tree-birthday fortnight, imagine yourself sauntering down this date grove in Rishon Le-Zion, one of the earliest Zionist agricultural settlements in the land of Israel.  If you’re lucky, the warm wispy wind might carry the sweet smell of ripening dates.  Yum!
Rishon-le-Zion Publisher:  Moshe Ordmann Tel Aviv, ca. 1918 Collection of Yeshiva University Museum, ACC# 1995.043

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 3

Continuing with our tree-birthday fortnight, imagine yourself sauntering down this date grove in Rishon Le-Zion, one of the earliest Zionist agricultural settlements in the land of Israel.  If you’re lucky, the warm wispy wind might carry the sweet smell of ripening dates.  Yum!

Rishon-le-Zion
Publisher:  Moshe Ordmann
Tel Aviv, ca. 1918
Collection of Yeshiva University Museum, ACC#
1995.043

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 2
Ah, moonshine in Jericho shimmering off the trees.  Not THAT moonshine you know!
Today we know Jericho as a bustling Palestinian metropolis near the banks of the Dead Sea. But the name also rings out as uber-historical, appearing in the bible and in countless other stories.  But this region also possesses a mystical quality that seems to radiate intensely at night.  This image of a moonlit building in Jericho from 1918 hints at that quality.  The building looks at once solid and familiar but also otherworldly. Indeed, the trees almost appear as apparitions emanating toward heaven.
Moonshine in Jericho Publisher: J. Benor-Kalter Jerusalem, early 20th century Collection of Yeshiva University Museum, ACC# 2001.115

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 2

Ah, moonshine in Jericho shimmering off the trees.  Not THAT moonshine you know!

Today we know Jericho as a bustling Palestinian metropolis near the banks of the Dead Sea. But the name also rings out as uber-historical, appearing in the bible and in countless other stories.  But this region also possesses a mystical quality that seems to radiate intensely at night.  This image of a moonlit building in Jericho from 1918 hints at that quality.  The building looks at once solid and familiar but also otherworldly. Indeed, the trees almost appear as apparitions emanating toward heaven.

Moonshine in Jericho
Publisher: J. Benor-Kalter
Jerusalem, early 20th century
Collection of Yeshiva University Museum, ACC#
2001.115

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 1
So, Tu B’Shvat, the birthday for the trees (Lorax, eat your heart out!) was just last week.  Hopefully you’re over that blast of amaretto.  But, just in case you need a slight reminder, check out this century+ old postcard of an almond grove.
Almond Trees Publisher:  Moshe Ordmann Tel Aviv, ca. 1918Collection of Yeshiva University Museum, ACC #1995.039

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 1

So, Tu B’Shvat, the birthday for the trees (Lorax, eat your heart out!) was just last week.  Hopefully you’re over that blast of amaretto.  But, just in case you need a slight reminder, check out this century+ old postcard of an almond grove.

Almond Trees
Publisher:  Moshe Ordmann
Tel Aviv, ca. 1918
Collection of Yeshiva University Museum, ACC #1995.039

Quintan Ana Wikswo reads THE LITTLE KRETSCHMAR

from Tin House magazine (Winter 2012 issue)

January 13, 2012
New York City, NY
Yeshiva University Museum

EMERGING OVERWHELMING BEAUTY - The Golden City/Upper Galilee
Hiking in a valley just bellow Tzfat, the sunlight shimmers the small, mystical city.  Quietude underscores sublimity, broken by stream trickles, bird flutters, and trees rustling in the mountain breeze. Then again, you’d be hard-pressed to find any camels in that part of Israel these days…
Thanks as always 16thstreet!

From the partners’ collections: The Golden City/Upper Galilee
Description: Landscape. Camels lower left, yellow buildings top center, surrounded by green; inscribed reverse: “Ruth Bamberger with Love for Kathrin”Artist: Bamberger, Ruth, 1906-1976Medium: Painting, oil on canvasDate: 1969Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=413013Repository: The Kathryn Yochelson Collection Yeshiva University MuseumAccession number: 2001.396Rights statement: Click here.
Visit our Flickr photostream for more from the partners’ collections.

EMERGING OVERWHELMING BEAUTY - The Golden City/Upper Galilee

Hiking in a valley just bellow Tzfat, the sunlight shimmers the small, mystical city.  Quietude underscores sublimity, broken by stream trickles, bird flutters, and trees rustling in the mountain breeze. Then again, you’d be hard-pressed to find any camels in that part of Israel these days…

Thanks as always 16thstreet!

From the partners’ collections: The Golden City/Upper Galilee

Description: Landscape. Camels lower left, yellow buildings top center, surrounded by green; inscribed reverse: “Ruth Bamberger with Love for Kathrin”
Artist: Bamberger, Ruth, 1906-1976
Medium: Painting, oil on canvas
Date: 1969
Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=413013
Repository: The Kathryn Yochelson Collection Yeshiva University Museum
Accession number: 2001.396
Rights statement: Click here.

Visit our Flickr photostream for more from the partners’ collections.

REUVEN RUBIN’S EARLY TEL AVIV REVIEW
This picture depicts Tel Aviv just a few years—seemingly moments—after its founding in the early 20th century.  One of the founders of the Jerusalem school of primitivistic painting, Rubin depicted “the East” as a young, vibrant, and even naive place—in contrast to the cold, gray Europe.
Rubin initially came to Palestine in 1912 to study at the Bezalel school.  He moved permanently to Eretz Israeli in 1934 after studying art in Paris and Berlin.  From 1948 - 1952 he was Israel’s plenipotentiary to Romania and in 1952 represented Israel at the Venice Bienniale.   
Gift of Mr. and Mrs. Sid Feinberg
Thanks 16thstreet!

From the partners’ collections: New Colony by Reuven Rubin, Israel 1929
Creator/Photographer: Rubin, Reuven, 1893-1974Medium: PaintingDate: 1929Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=367340Repository: Yeshiva University MuseumCall Number: 1986.138Rights statement: Click here.
Visit our Flickr photostream for more from the partners’ collections.

REUVEN RUBIN’S EARLY TEL AVIV REVIEW

This picture depicts Tel Aviv just a few years—seemingly moments—after its founding in the early 20th century.  One of the founders of the Jerusalem school of primitivistic painting, Rubin depicted “the East” as a young, vibrant, and even naive place—in contrast to the cold, gray Europe.

Rubin initially came to Palestine in 1912 to study at the Bezalel school.  He moved permanently to Eretz Israeli in 1934 after studying art in Paris and Berlin.  From 1948 - 1952 he was Israel’s plenipotentiary to Romania and in 1952 represented Israel at the Venice Bienniale.  

Gift of Mr. and Mrs. Sid Feinberg

Thanks 16thstreet!

From the partners’ collections: New Colony by Reuven Rubin, Israel 1929

Creator/Photographer: Rubin, Reuven, 1893-1974
Medium: Painting
Date: 1929
Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=367340
Repository: Yeshiva University Museum
Call Number: 1986.138
Rights statement: Click here.

Visit our Flickr photostream for more from the partners’ collections.

SQUIGGLES EVERYWHERE! - FROM THE MAX STERN COLLECTION, PART 5
This squiggly image is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica.   Spice boxes are a typical and often decorated form of Judaica  sculpture. They are used during Hazdalah, the ceremony that marks the end  of the Sabbath, and the fragrant spices in the box help to rouse our  souls as we transition into what Elvis Costello referred to as the  “Working Week.”

SQUIGGLES EVERYWHERE! - FROM THE MAX STERN COLLECTION, PART 5

This squiggly image is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica. Spice boxes are a typical and often decorated form of Judaica sculpture. They are used during Hazdalah, the ceremony that marks the end of the Sabbath, and the fragrant spices in the box help to rouse our souls as we transition into what Elvis Costello referred to as the “Working Week.”

A LATTICE OF SILVER - FROM THE MAX STERN COLLECTION, PART 2 
This Lattice of silvers is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica.  Spice boxes are a typical and often decorated form of Judaica sculpture. They are used during Hazdalah, the ceremony that marks the end of the Sabbath, and the fragrant spices in the box help to rouse our souls as we transition into what Elvis Costello referred to as the “Working Week.”

A LATTICE OF SILVER - FROM THE MAX STERN COLLECTION, PART 2 

This Lattice of silvers is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica. Spice boxes are a typical and often decorated form of Judaica sculpture. They are used during Hazdalah, the ceremony that marks the end of the Sabbath, and the fragrant spices in the box help to rouse our souls as we transition into what Elvis Costello referred to as the “Working Week.”

HELP FIX YUM’S YELP REVIEWS
Friends, for whatever reason, the folks at Yelp are suppressing the positive review of Yeshiva University Museum, and leaving up the one negative—and really uninformed—review of our small museum.  Can you help us right the wrong of this algorithm?  If you have something to share about YUM, please lend us a few minutes and leave it on YUM’s Yelp page. Positive or negative, we’d just like something constructive and fair.  And we will make every effort to get back to you with our own questions and solutions to the problems you identify.
You can find YUM’s Yelp Page here: http://www.yelp.com/biz/yeshiva-university-museum-new-york
Thanks a bunch folks!

HELP FIX YUM’S YELP REVIEWS

Friends, for whatever reason, the folks at Yelp are suppressing the positive review of Yeshiva University Museum, and leaving up the one negative—and really uninformed—review of our small museum.  Can you help us right the wrong of this algorithm?  If you have something to share about YUM, please lend us a few minutes and leave it on YUM’s Yelp page. Positive or negative, we’d just like something constructive and fair.  And we will make every effort to get back to you with our own questions and solutions to the problems you identify.

You can find YUM’s Yelp Page here: http://www.yelp.com/biz/yeshiva-university-museum-new-york

Thanks a bunch folks!

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 3
Continuing with our tree-birthday fortnight, imagine yourself sauntering down this date grove in Rishon Le-Zion, one of the earliest Zionist agricultural settlements in the land of Israel.  If you’re lucky, the warm wispy wind might carry the sweet smell of ripening dates.  Yum!
Rishon-le-Zion Publisher:  Moshe Ordmann Tel Aviv, ca. 1918 Collection of Yeshiva University Museum, ACC# 1995.043

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 3

Continuing with our tree-birthday fortnight, imagine yourself sauntering down this date grove in Rishon Le-Zion, one of the earliest Zionist agricultural settlements in the land of Israel.  If you’re lucky, the warm wispy wind might carry the sweet smell of ripening dates.  Yum!

Rishon-le-Zion
Publisher:  Moshe Ordmann
Tel Aviv, ca. 1918
Collection of Yeshiva University Museum, ACC#
1995.043

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 2
Ah, moonshine in Jericho shimmering off the trees.  Not THAT moonshine you know!
Today we know Jericho as a bustling Palestinian metropolis near the banks of the Dead Sea. But the name also rings out as uber-historical, appearing in the bible and in countless other stories.  But this region also possesses a mystical quality that seems to radiate intensely at night.  This image of a moonlit building in Jericho from 1918 hints at that quality.  The building looks at once solid and familiar but also otherworldly. Indeed, the trees almost appear as apparitions emanating toward heaven.
Moonshine in Jericho Publisher: J. Benor-Kalter Jerusalem, early 20th century Collection of Yeshiva University Museum, ACC# 2001.115

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 2

Ah, moonshine in Jericho shimmering off the trees.  Not THAT moonshine you know!

Today we know Jericho as a bustling Palestinian metropolis near the banks of the Dead Sea. But the name also rings out as uber-historical, appearing in the bible and in countless other stories.  But this region also possesses a mystical quality that seems to radiate intensely at night.  This image of a moonlit building in Jericho from 1918 hints at that quality.  The building looks at once solid and familiar but also otherworldly. Indeed, the trees almost appear as apparitions emanating toward heaven.

Moonshine in Jericho
Publisher: J. Benor-Kalter
Jerusalem, early 20th century
Collection of Yeshiva University Museum, ACC#
2001.115

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 1
So, Tu B’Shvat, the birthday for the trees (Lorax, eat your heart out!) was just last week.  Hopefully you’re over that blast of amaretto.  But, just in case you need a slight reminder, check out this century+ old postcard of an almond grove.
Almond Trees Publisher:  Moshe Ordmann Tel Aviv, ca. 1918Collection of Yeshiva University Museum, ACC #1995.039

IT’S A BIG WORLD - IT MUST BE TU B’SHVAT SOMEWHERE, PT 1

So, Tu B’Shvat, the birthday for the trees (Lorax, eat your heart out!) was just last week.  Hopefully you’re over that blast of amaretto.  But, just in case you need a slight reminder, check out this century+ old postcard of an almond grove.

Almond Trees
Publisher:  Moshe Ordmann
Tel Aviv, ca. 1918
Collection of Yeshiva University Museum, ACC #1995.039

Quintan Ana Wikswo reads THE LITTLE KRETSCHMAR

from Tin House magazine (Winter 2012 issue)

January 13, 2012
New York City, NY
Yeshiva University Museum

EMERGING OVERWHELMING BEAUTY - The Golden City/Upper Galilee
Hiking in a valley just bellow Tzfat, the sunlight shimmers the small, mystical city.  Quietude underscores sublimity, broken by stream trickles, bird flutters, and trees rustling in the mountain breeze. Then again, you’d be hard-pressed to find any camels in that part of Israel these days…
Thanks as always 16thstreet!

From the partners’ collections: The Golden City/Upper Galilee
Description: Landscape. Camels lower left, yellow buildings top center, surrounded by green; inscribed reverse: “Ruth Bamberger with Love for Kathrin”Artist: Bamberger, Ruth, 1906-1976Medium: Painting, oil on canvasDate: 1969Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=413013Repository: The Kathryn Yochelson Collection Yeshiva University MuseumAccession number: 2001.396Rights statement: Click here.
Visit our Flickr photostream for more from the partners’ collections.

EMERGING OVERWHELMING BEAUTY - The Golden City/Upper Galilee

Hiking in a valley just bellow Tzfat, the sunlight shimmers the small, mystical city.  Quietude underscores sublimity, broken by stream trickles, bird flutters, and trees rustling in the mountain breeze. Then again, you’d be hard-pressed to find any camels in that part of Israel these days…

Thanks as always 16thstreet!

From the partners’ collections: The Golden City/Upper Galilee

Description: Landscape. Camels lower left, yellow buildings top center, surrounded by green; inscribed reverse: “Ruth Bamberger with Love for Kathrin”
Artist: Bamberger, Ruth, 1906-1976
Medium: Painting, oil on canvas
Date: 1969
Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=413013
Repository: The Kathryn Yochelson Collection Yeshiva University Museum
Accession number: 2001.396
Rights statement: Click here.

Visit our Flickr photostream for more from the partners’ collections.

REUVEN RUBIN’S EARLY TEL AVIV REVIEW
This picture depicts Tel Aviv just a few years—seemingly moments—after its founding in the early 20th century.  One of the founders of the Jerusalem school of primitivistic painting, Rubin depicted “the East” as a young, vibrant, and even naive place—in contrast to the cold, gray Europe.
Rubin initially came to Palestine in 1912 to study at the Bezalel school.  He moved permanently to Eretz Israeli in 1934 after studying art in Paris and Berlin.  From 1948 - 1952 he was Israel’s plenipotentiary to Romania and in 1952 represented Israel at the Venice Bienniale.   
Gift of Mr. and Mrs. Sid Feinberg
Thanks 16thstreet!

From the partners’ collections: New Colony by Reuven Rubin, Israel 1929
Creator/Photographer: Rubin, Reuven, 1893-1974Medium: PaintingDate: 1929Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=367340Repository: Yeshiva University MuseumCall Number: 1986.138Rights statement: Click here.
Visit our Flickr photostream for more from the partners’ collections.

REUVEN RUBIN’S EARLY TEL AVIV REVIEW

This picture depicts Tel Aviv just a few years—seemingly moments—after its founding in the early 20th century.  One of the founders of the Jerusalem school of primitivistic painting, Rubin depicted “the East” as a young, vibrant, and even naive place—in contrast to the cold, gray Europe.

Rubin initially came to Palestine in 1912 to study at the Bezalel school.  He moved permanently to Eretz Israeli in 1934 after studying art in Paris and Berlin.  From 1948 - 1952 he was Israel’s plenipotentiary to Romania and in 1952 represented Israel at the Venice Bienniale.  

Gift of Mr. and Mrs. Sid Feinberg

Thanks 16thstreet!

From the partners’ collections: New Colony by Reuven Rubin, Israel 1929

Creator/Photographer: Rubin, Reuven, 1893-1974
Medium: Painting
Date: 1929
Persistent URL: digital.cjh.org/R/?func=dbin-jump-full&object_id=367340
Repository: Yeshiva University Museum
Call Number: 1986.138
Rights statement: Click here.

Visit our Flickr photostream for more from the partners’ collections.

SQUIGGLES EVERYWHERE! - FROM THE MAX STERN COLLECTION, PART 5
This squiggly image is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica.   Spice boxes are a typical and often decorated form of Judaica  sculpture. They are used during Hazdalah, the ceremony that marks the end  of the Sabbath, and the fragrant spices in the box help to rouse our  souls as we transition into what Elvis Costello referred to as the  “Working Week.”

SQUIGGLES EVERYWHERE! - FROM THE MAX STERN COLLECTION, PART 5

This squiggly image is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica. Spice boxes are a typical and often decorated form of Judaica sculpture. They are used during Hazdalah, the ceremony that marks the end of the Sabbath, and the fragrant spices in the box help to rouse our souls as we transition into what Elvis Costello referred to as the “Working Week.”

A LATTICE OF SILVER - FROM THE MAX STERN COLLECTION, PART 2 
This Lattice of silvers is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica.  Spice boxes are a typical and often decorated form of Judaica sculpture. They are used during Hazdalah, the ceremony that marks the end of the Sabbath, and the fragrant spices in the box help to rouse our souls as we transition into what Elvis Costello referred to as the “Working Week.”

A LATTICE OF SILVER - FROM THE MAX STERN COLLECTION, PART 2 

This Lattice of silvers is part of a silver spice box in YU Museum’s dazzling Max Stern Collection of Judaica. Spice boxes are a typical and often decorated form of Judaica sculpture. They are used during Hazdalah, the ceremony that marks the end of the Sabbath, and the fragrant spices in the box help to rouse our souls as we transition into what Elvis Costello referred to as the “Working Week.”

About:

YU Museum creates new ways to experience and interpret Jewish art and history. It is a source for new ideas and perspectives on historic events and cultural phenomena effecting everyone.

Visit YU Museum’s exhibitions and programs! They open the eyes of audiences to new perspectives on Jewish culture, historic events and cultural phenomena. They reveal the vitality and resonance of present-day art on Jewish themes, and reflect and re-interpret millennia of Jewish experiences for the present. Visit: @15 w16th st, NYC

Visit YU Museum @ www.YUMuseum.org

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